Take a break and rock hard!

The loyal fans who drop by our blog every day might be wondering, if the lone wolf and his gang went offline. Well, we didn’t, actually we have some exciting news to share with you. We’ve been working on a project. We’ve dived deep into the Strainful Train discography, tore our sweetest, mellow songs out and defiled them with hard and psychodelic rock sounds. Some may say, we betrayed our folk music. Find out yourself and check out “Folk-Verrat”:

But don’t worry – we’re still keeping Strainful Train alive and kicking. In fact, we have collected the broken pieces of our failed vinyl pressing and dedicated the musical works to a somewhat more sustainable medium. Tadaa, come by an check out our new CD “Strainful Train V & 4 1/2”. Additionally, we’ve also been hard at work updating our website. We’ve added new tour dates, so be sure to check those out if you want to catch Benny live. We’ve also updated and expanded our audio links, to always have an idea of how the songs sounded pre-betrayal. So you see, it’s worth it to drop by time by time. Stay tuned.


It’s that time again, our annual contribution to the cloud has been uploaded. The Redstone Studio has delicately polished the sounds we ecstatically captured on tape in the solitude of the wooden cabin. Enjoy the trip into our innermost consciousness. Experience musical world-weariness wrapped in pounding beats and epic anthems. Strainful Train Vol. 5 is now available on Spotify, iTunes and Deezer.

Beats from the log cabin

Yes, there was not much going on, I don’t think I have to explain at all. A virus has ravaged the music scene and plunged us into an uneventful summer. Hendrik tried his luck on the Emerald Isle and created a new foothold in the digitalization of Irish cultural life. Benni has built up a band with a few punkers, in which he can shout all his deep-seated aggressions into a rehearsal room microphone. And Tim has tried unsuccessfully to somehow sell his two tons of Fidget Spinners, which he procured just before the end of the hype, in the schoolyards of Berlin. In all this, Strainful Train has probably come up a bit short. Our heart project, the 10 inch record, is still not out of the factory, the last pressing plant tried to fob us off with test pressings that sounded like the sound module of a Christmas card.

So we had every reason to devote ourselves to writing music history again. And so we followed the call of our prophet with the erotic voice and met a few weeks ago somewhere in the Mecklenburg outback. The destination was the picturesque dropout farm of Seland and Roham. The names of the two have been changed by the author, as they are currently painstakingly trying to remove their traces from the Internet. Roham is a handsome outdoorsman who appears to be thoroughly trying not to explode with joy of life. We got to spend a day doing excessive trail maintenance with him in the surrounding forests and villages. I was impressed with how much enthusiasm he could bring to even the tiniest tree mushrooms. He unceremoniously scrounged us four beers and quite a few fags along our way with his devastatingly happy manner, what an awesome day! His partner Seland is similarly infectiously happy and just as much in the surrounding area on the road, but not to scrounge beers, but to pick mushrooms. While we were eating one of her mushroom pans, she insistently pointed out that we might well die, after all, she’s not too good at spotting mushrooms. We didn’t die though, thanks for that, Seland.
We could have just hung out with them for two weeks, but there was that thing with the music history. Many years ago, Roham created a spatial-acoustic masterpiece on his farm. A wooden hut, geometrically aligned in such a way that the sound from the curves of the strong trunks is miraculously guided past the ear directly into your heart. Or into a room microphone, if you positioned it right. What we hopefully did, Hendrik spent many hours with partly esoteric investigations and millimeter work to move the microphones in the room until it finally fit.

So we wanted to know it again. A new album was to be played from this wonderful room onto Hendrik’s hard drives. Again completely alone, again without the safe back-up of a bodhrán or a fiddle. And again uncut, live and raw. We dared to experiment, wrapped our musical world-weariness in pounding beats and even tried some epic anthems. And whenever we needed a break, we fed stink bugs and earwigs to Thekla, the giant spider in the corner of the room. Thekla got fat, just like the sounds of our new album. After two weeks we came out of the log cabin, stressed but happy, the hard drives full of effusions. They are now with Pietro, our audio mastermind, and we are waiting. This is going to be awesome. Stay tuned!

EP 4.5

The forever unknown folk trio delivers again. This time, exactly one year after entering the cloud with the recent album, we extend our digitized range with a 10 inch mini LP. Fresh from the RedStone Productions Studio vaults, an atmospheric picture of a locked down summer, just the three of us, plain, naked and untreated. Strainful Train Vol. 4.5 is now available on Spotify, iTunes and Deezer. 
Photo: Tim Ho (www.timgho.de)

Live Session in Amsterdam

A fresh summer night somewhere in Amsterdam. The streets are calm, as a virus is cutting down public life and everybody is spending time at home, with their beloved ones. Everybody? Not everybody. The awesome trio of Strainful Train and the audio mastermind Pietro are busy again in the Red Stone Production Studios. Equipped with high end audio gear and some fresh tunes, they are preparing another musical treat for you.

Get your headphones and enjoy the second live session of awesomeness.

Spreading further

It was a personal wish of the band to visit Offenburg during the tour. That had two reasons. First, Offenburg’s city abbreviation is “OG”, which in our ghetto clique is synonymous with “original gangster”, so a visit to Offenburg contributes to street credibility. In addition, Benni had spent a few wonderful days during his journeying time with the carpenter Sylvia, who had settled in Offenburg. She gave us the use of her courtyard so we could mix up the neighborhood a little bit. During the pandemic, the official regional cultural sites did not want to get involved in a live concert. But the courtyard concert was well received. People made themselves comfortable on balconies and benches and refused to call the police.

Until now, the band management (Mr. Burek himself) had already shown an enormous performance. In view of the pandemic it was almost impossible to get firm commitments for official concerts. Nevertheless, he persistently called people, organized semi-legal stages and kept the band happy with beer and cheese rolls. On day six of our trip, the time had finally come: the first official concert, with a hygiene concept and list of participants was on the agenda. Renate and Jochen Braun in Rottweil, operators of the “àkapella” cultural café and themselves music nerds, gathered the city’s most exquisite audience for us. So 20 people of the Blues-Folk-Elite of Rottweil sat there with a safety distance of 1,5m and a ticket price of 18€. Never before such a high price was paid for us, so we wanted to offer something decent. Benny withdrew to the back rooms of the café and wrote our setlist. A two hour dramaturgical masterpiece, which marathon live performer Bruce Springsteen would have been proud of. We played our fingers to the bone until Tim’s bladder didn’t allow another encore.
And during the whole concert this highly concentrated audience sat there, looking at us  critically, only to give enthusiastic applause shortly after the last note was played. We had to drink away such a high level of professionalism. And thank you so much Kerstin for joining us for a couple of songs.

The following day provided the opportunity to do so. For Benny a home game was coming up. Not far from his home town Affalterbach, in Backnang-Mittelschöntal, an organic farm runs a cafe. In a fulminant outdoor event, the summer season was to be concluded there with bread on a stick and a live concert. From a weather point of view, we had been truly blessed this week. Usually we layed in our T-shirts on the meadows after the concerts and counted shooting stars. That evening we had to distribute all our clothing reserves on our bodies so that our organs would not freeze. Besides, it started to rain, which sucks while making stick bread and also during open air concerts. A fruit farmer had the spontaneous idea to convert his sales cart into a stage so that we at least stayed dry. The cart was almost perfect. Only in the height there could have been 3cm more in it. You could clamp the double bass so that it could stand without support. We were worried that the cold would keep our guests away. But the attraction of the Prophet is stronger than the attraction of the couch during rainy weather.

Every time we are in Benny’s homeland, the comparison with the Shire comes to mind. And also this time the exuberant atmosphere left no doubt that the Swabians can celebrate like the Hobbits. The campfire blazed until deep into the night and the instruments were handed around until the fingers drunkenly slipped from the instruments. With a heavy heart we left the Shire the following day, the tour came to an end. With a long trip over the rainy highways of central Germany we reached Leipzig. At a car park Leo welcomed us with a delicious pumpkin soup. The roller-skate dance rehearsal room there was quickly converted into a concert hall. The rain on the tin roof demanded everything from our PA system, in situations like these it always shows how good it is that we have an experienced audio engineer with us. The concert was comfortable and successful. And in the glow of the fire barrel new plans were made and we said our farewells. And so the band members strolled out into the night to go their separate ways again.

Superspreading in 2020

Strainful Train has remained true to the tradition of travelling across Germany once a year for a week to scrounge beer for a few tunes from our instruments. This time under particularly difficult conditions, because the pub operators did not want to make any commitments in the face of the pandemic. In addition, we were often accused in advance that it would be irresponsible to spread the virus throughout Germany with our tour. This is true and we do not want to deny the risk. On the other hand, we are also aware of the fact, that this risk is very manageable if the rules of hygiene are being followed and if the concerts are exclusively outdoor. Furthermore we had, like everyone we met, an immeasurable greed for small cultural events, for some normality, for a chance to get together and exchange some joie de vivre with live music. Something that unfortunately came much too short this summer.

We started at the beautiful pottery market in Friedrichsmoor. It’s hard to believe that you would come across such a cultural hot spot after such a trip through the outback of Mecklenburg. Artists offer their creations made of clay here, accompanied by a market band, in this case, by us. In addition, Mecklenburg’s most willing to pay audience romps around there. Our CD stocks were bought out at a stroke, which financed the tour on the very first day. And last but not least we found the name inspiration for our song “The incredible chase of Loretta and the marvellous chick’ sisters of Barneveld” on the premises. So the day was completely worth it. The next day we went with the GPS mode “most beautiful route” to a place you wouldn’t have expected after passing all those dumps. In the small village of Velsdorf we found a farm full of traditional journeymen who danced to soft electro beats into the evening. Benny immediately switched to his incomprehensible journeyman slang, which he had acquired during his time on the road. Ritualistic welcome dances were performed, complicatedly choreographed handshakes were exchanged and then we were allowed to play for the journeymen. The farm was a so-called summer construction site, a meeting place for journeymen and those who wanted to become journeymen. What the pottery market visitors showed the day before in terms of purchasing power was exceeded that evening by dance frenzy. We had to fire out our entire repertoire of dance songs. And when the dust settled and the instruments fell silent, we were able to fall asleep under the most beautiful starry sky in the caravans provided for us.

The next morning, Benny had said goodbye again in a complicated ceremony and Tim had a dance for drunk fellows taught to him, we went on to the next goal. The Dannröder Forst is a beautiful, but unfortunately threatened by economic interests, mixed forest in a drinking water protection area near Gießen. In the middle of the route of a planned freeway extension, a protest camp was set up a year ago, which was now to be visited by us. We had to carry our equipment for half an hour through the undergrowth and defend it against raccoons and crested newts to get there. When we arrived, the police had just started clearing the barricades. Bad timing. If this damn highway had finally been finished, we would have gotten there earlier. The atmosphere was correspondingly tense when we carefully echoed a few sounds into the forest on a stage between the tree houses, directly after a protest plenary session marked by gender-sensitive language. But in fact this seemed to be exactly what some activists needed. More and more of them emerged from the corners of the forest and began to dance the stress of the day out of their limbs. After the last sound had faded away and perseverance slogans had been exchanged, we moved into our blockade beds in the tree tops, you can’t get us out of here, the Danni stays!

With all the will to resist and the unshakable determination to now dedicate our lives to the guerrilla fight against the clearing of the Danni, at some point the thirst for hot coffee and the urge for hygiene became stronger and we left the forest again through the undergrowth. Again the path was hard and arduous and this time it claimed victims. We can’t say exactly when it happened, maybe during the escape from the pack of baboons or during the following jump down the waterfall, at some point it rattled suspiciously from Tim’s double bass bag. We gathered around the bag, said a short thrusting prayer and looked in shyly and anxiously, only to retreat shortly thereafter disturbed. The fingerboard had come loose from the neck. Total loss, Tim was already saying goodbye to the band.

However, Benny put his prophetic hand on his shoulder and said, “Do not be dismayed, for I have been sent down to give hope to those in need.” The rest is again one of the many miracle healing stories we already know from Benny. Together with our friend Can in Tübingen the patient was stabilized in a sweaty operation and was then, oh miracle, ready for the concert that evening. Since we have been to Tübingen before, why not play again in the bar of the circle of wagons. We were already there a year ago and were already excited about the cozy flair and the crass sound. Thank you Can, for your renewed hospitality and all the operation tools.

Stay tuned for part two!

Back in the Redstone Vaults

I know it is hard to maintain a productive atmosphere during these times. The best thing you can do to avoid not meeting your own requirements, is to keep those requirements low and only set yourself goals that are easy to reach. Strainful Train could have easily done so, after all we have already achieved everything that’s achievable for a band. We traveled out of Mecklenburg-Western Pomerania, one of our songs was transcribed into tabs and we wasted at least 100 € of gig payment on beer. We could have leaned back and enjoyed the last years of our lives, Benny would have committed himself to stock trading again, Hendrik and Tim would have gone back to mushroom cultivation. Unfortunately the band has the habit to stick to the quirky ideas they have during the long bar nights. One of those ideas was (after Tim elucidated how funny things are, that are a bit tinier than usual) to make another vinyl, just a wee bit smaller than the first one. A ten inch mini-LP.

During the pandemic times, the event industry was not that active. So Pietro Rossi of Redstone Productions was able to spare some time for us. His studio vault in Amsterdam was hygienically harmless, so why not visiting the temple of analog audio gear and recording some live material for the mini-LP. All of us just took some days off and we went there. Old school, without Irish refinements, without professional support in the background. But rough and gruff, like in the old days, just Hendrik, Benny and Tim. I have to admit, that it was an intimidating concept. In the ecstasy of playing along with Denise and Brian, it is not a problem to miss a tone here and there. But that doesn’t work anymore with only the three of us. Every note has to fit perfectly, that is why we rehearsed aggravatedly (but nowhere near enough).

As we arrived in Amsterdam, yet again we met a perfectly prepared Mr. Rossi. A team of handsome and competent audio engineers set up the microphones and checked the signal flows. The first day was reserved for arriving and warming up, considering what laid ahead of us, we wanted to be primed properly. We spent the coming days completely in the well illuminated vaults of the Redstone Studios. Even the fact that this place felt like a motherly womb to us, didn’t protect us from the pressure and stress these recordings meant, the acoustic nakedness doesn’t allow mistakes. Many attempts were needed until the prophet was pleased. Fortunately, during this whole time we were supported by a very patient Mr. Rossi. His team swiped the sweat from our foreheads and did a perfect job recording the whole struggle. The days were hard, but worth it. At the end, we had four songs on the hard drives and a good feeling in our guts. Pietro rewarded us with an online concert together with his friend and songwriter Baschira. We performed an interpretation of “Bella Ciao” that would have made the crowd tear down the building, if there was any crowd. Strange times. We had so much fun with Baschira and his friends, that he invited us to an original Italian midnight pasta. We gladly accepted the invitation and a wonderful time in Amsterdam came to a wonderful end.

At this moment the audio mastermind Mr. Rossi is still precisely processing the recordings. Dust the vinyl record players and stay tuned for some mesmerizing new songs!

Keep it Reel

Strainful Train is proudly presenting another episode of “Keep it Reel”! In today’s online lesson, we are laying hands on an extraordinarily fascinating kind of tune, the Reel. We’ll find two groups of four notes each, adding up to an eighth-note bar. And within each group there are two heavy-light pairs. The Glory Reel is a predominantly northern Irish tune, so it is played with mostly short, punchy single bow strokes. So grab your fiddle and jam along!

The Stroller!

It’s 6 in the morning. The first weak sun rays vaporize the dew from the grass, some dozy birds have just begun to chirp and somewhere in the distance you hear him. His worn leather shoes traipse through the meadows while he is whistling a jolly melody. There he is, the stroller!